Michael Buble owes a lot to his Italian grandfather, an ardent fan of great crooners past who not only introduced him to the likes of Frank Sinatra and Ray Charles, but who got him his early gigs in Vancouver by trading plumbing services to the local clubs. There he learned his trade well enough to be in the right place at the right time when chance came calling, singing at a society wedding attended by multi-Grammy-winning producer David Foster.

Three albums, 22m copies sold, and a Grammy of his own later, he has a reputation for delivering the classic songbook – everything from the 1931-vintage “All of Me” to Eric Clapton’s “Wonderful Tonight” – with confidence and flair, and for a clean, strong voice with enough depth to be interesting.

But it is “Everything” , his own composition along with Alan Chang and Amy Foster Gilles, that may be his most lasting legacy; though at just 34 and with a fourth album out this month he has time on his side.

“Everything” doesn’t swing, and there isn’t a big band in sight. It is simply a modern pop classic about love and life. Written for his then-girlfriend Emily Blunt, from whom he has since separated, it also says a little something about loss. One for the ages? It’s your choice. Vote for it at the Timeless 50.

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